Saturday, August 31, 2024

Peter Marshall, and Bob Quigley

Peter Marshall, the host (from 1966 to 1981) of the television game show The Hollywood Squares, died on August 15th in California, at age 98.

There was the following interesting paragraph about Mr. Marshall, and The Hollywood Squares, in the New York Times obituary about him--which also referred to Bob Quigley, one of the program's producers (to whom I will return shortly).

Mr. Marshall played the straight man to his comic co-stars. He recalled that the show’s producers, Bob Quigley and Merrill Heatter, had said that they prized one quality in particular when they sought a host: “‘We’re looking for a complete nonentity,’ they told me. ‘Well, look no further,’ I said, and they offered me an audition.”

https://www.nytimes.com/2024/08/15/arts/television/peter-marshall-dead.html?unlocked_article_code=1.FU4.r-it.yA0SIIdNbSL8&smid=url-share

The Hollywood Squares
 

 

 

Hollywood Squares publicity photo: Peter Marshall, in foreground, with Rose Marie. Also pictured, from left to right: Wally Cox, Morey Amsterdam (at top center), and Abby Dalton


 

 

 

 

 

 

 

While I don't think that Mr. Marshall became, in actuality, a non-entity on the show--he was a very likeable and talented host--it is nevertheless true that the program was not, in the end, about him. The focus of the show was the stars who sat in the nine "Hollywood Squares," and who responded to the quiz questions Mr. Marshall posed--such as Wally Cox, Cliff Arquette (playing the character Charley Weaver), Rose Marie, and Paul Lynde. Yet Mr. Marshall's role, as host and straight man, was one he carried out deftly.  His friendly and appreciative laughter, at the jokes made by the stars, was one of the show's essential and appealing elements. (One also recalls his friendly interactions with the show's contestants, who flanked him on the stage.)

Mr. Marshall had had training, indeed, as a straight man, as part of a comedy team, Noonan and Marshall (with performer Tommy Noonan). They worked together from 1949 until the early 1960s. 

In 1949, as well (at the start of December of that year), bandleader Kay Kyser's College of Musical Knowledge, a comedy, music and game show, about which I have written many times in this space, made its debut on NBC-TV; it had for years been a hit program on radio. 

Bob Quigley--who with Merrill Heatter would, beginning in the 1960s, achieve great success producing The Hollywood Squares and other game shows--was the head writer for Kay Kyser's show.  

In addition to writing for the program, Mr. Quigley performed regularly in the show's sketches, and scenes. 

(In addition to sketches--often comic--in which the show's cast members performed/sang/acted out clues for contestants, the show featured musical production numbers, somewhat akin to the manner of Your Hit Parade, which would come to television in the fall of 1950, in which songs were dramatized.  Songs on Kay Kyser's program were, similarly, often presented in the form of stories, vignettes. In the program's 1949 debut telecast, for example, one song--"Toot, Toot, Tootsie (Goodbye!)"--took place at a mock train station, where a wife was seeing her husband off; he was carrying a suitcase, so was evidently going on a trip. The husband was played by Michael "Mike" Douglas, the featured male vocalist on the show; my mother, Sue Bennett, played the wife. They took turns singing the song to one another. Soon, the show's vocal group, The Honeydreamers, joined the production number.)

The first season of Kay Kyser's show continued until June of 1950.  The show's second season--which relied more heavily on guest stars, such as Louis Armstrong, Mindy Carson, Hoagy Carmichael, and Ella Fitzgerald--began in early October of 1950.  The program went off the air at the end of December 1950.

In the picture below, from Kay Kyser's program, my mother and Bob Quigley are seen together in a street setting.  My mother--who was featured on the program during both of its seasons on the air--looks to be singing to Mr. Quigley.  I am fairly sure--based on a conversation with her that I'm remembering from years ago--that Mr. Quigley, in the scene, was playing a gangster, and that my mother was playing his girlfriend/"moll."

Mr. Quigley died in 1989, at age 77.

(Photo of Sue Bennett and Bob Quigley, from Kay Kyser show, © NBCUniversal, Inc.;  Hollywood Squares photos from the Fred Wostbrock  Collection, as included in the book Come On Down!!! The TV  Game Show Book, by Jefferson Graham, Abbeville Press,  1988)

Wednesday, August 28, 2024

Anniversary

I wrote, in a January post, about the importance of specific dates, in our lives.  And so I was thinking about today's date, which was my parents' anniversary; they were married on August 28th, in 1949. My mother was twenty-one; my father was twenty-eight. 

I hadn't realized, though, until I did a quick calculation, that today was the 75th anniversary of their marriage.

My mother died in May of 2001, at age 73--a few months before what would have been their fifty-second anniversary. My father, who remarried in 2014, died at age 100, on New Year's Day of 2022. 

Monday, August 19, 2024

New Yorker cover, by Barry Blitt

The very funny new cover of The New Yorker (titled "Roller Coaster"), by the cartoonist/illustrator/humorist Barry Blitt: 




 

 

 

 

 

 

 

 

 

 

https://www.newyorker.com/culture/cover-story/cover-story-2024-08-26 

(Image © Barry Blitt, and The New Yorker)

Thursday, August 15, 2024

A belated post

I've been meaning to post the following for several days:

I have mentioned previously, in this space, that I watch CNN often.  Yet I was surprised, recently, by comments made on-the-air by longtime host Jake Tapper.

The remarks he made took place on August 6th--the day Vice President Harris announced that Minnesota Governor Tim Walz would be her running mate; that evening, the Vice President and the Governor made their first joint appearance at Temple University in Philadelphia.

Near the beginning of his speech, Governor Walz spoke warmly, admiringly, and enjoyably, about Pennsylvania Governor Josh Shapiro, who had spoken before the Vice President and Governor Walz.

Mr. Walz said:  "And Pennsylvania, I know you know this, but, my God, what a treasure you have in Josh Shapiro...This is a visionary leader. Also, I have to tell you--everybody in America knows, when you need a bridge fixed, call that guy!" The audience cheered.

Mr. Walz then said:  "And I think sometimes we forget, and you see people a little one-dimensional--but seeing a guy who cares so deeply about his family, a man with compassion, vision. And I'll have to tell you this,  I know this from experience, but there is no one you would rather go to a Springsteen concert in Jersey with than him, than that guy!"  The audience clearly loved it.

After the speeches, Jake Tapper, who was in Philadelphia for the event (and who is from the Philadelphia area), was interviewing guests, including Minnesota Senator Amy Klobuchar.

During the conversation with the Senator, Mr. Tapper said that Governor Walz's comments about Mr. Springsteen had "prompted some boos."

Unfortunately, Mr. Tapper, I believe, misunderstood the reaction to what Mr. Walz said.

As far as I know--and I've watched this part of the video of the Governor's speech several times--the audience members Mr. Tapper was referring to were not booing at all. They were chanting what a lot of Springsteen fans routinely chant: "Bruce!"

(Or, more precisely, very often--"Bruuuce!")

Indeed, during the chants, Mr. Walz responded: "Bruce!"

I was disappointed, that Mr. Tapper didn't get this.

The Governor's comments about Mr. Shapiro--and Mr. Springsteen--begin at about a minute into the video, below:

https://www.youtube.com/watch?v=M7ajzMgbGsY

Sunday, August 11, 2024

Unwell

The following very startling story was posted today on the website of The New York Times:

The headline of the piece reads: "Trump Falsely Claims That the Crowds Seen at Harris Rallies Are Fake."

This is the article's sub-headline: "The former president, in a series of social media posts, said that Vice President Kamala Harris had used A.I. technology to create images of fake crowds at her events."

Reporter Shane Goldmacher writes:

Former President Donald J. Trump has taken his new obsession with the large crowds that Vice President Kamala Harris is drawing at her rallies to new heights, falsely declaring in a series of social media posts on Sunday that she had used artificial intelligence to create images and videos of fake crowds.

The crowds at Ms. Harris’s events, including one in Detroit outside an airplane hangar, were witnessed by thousands of people and news outlets, including The New York Times, and the number of attendees claimed by her campaign is in line with what was visible on the ground. Mr. Trump falsely wrote on his social media site, Truth Social, that “there was nobody at the plane, and she ‘A.I.’d’ it.”

A spokesman for the Trump campaign did not respond to a request for comment.

Mr. Goldmacher writes:

In his posts on Sunday, Mr. Trump drew parallels between his false claims of fake crowds and his false claims of fraud in the 2020 presidential election.

“She’s a CHEATER. She had NOBODY waiting, and the ‘crowd’ looked like 10,000 people!” Mr. Trump wrote. “Same thing is happening with her fake ‘crowds’ at her speeches. This is the way the Democrats win Elections, by CHEATING - And they’re even worse at the Ballot Box. She should be disqualified because the creation of a fake image is ELECTION INTERFERENCE.”

Ms. Harris’s campaign went on Mr. Trump’s social network to mock his wild accusations, replying to one of his posts by sharing a video of Air Force Two arriving in Detroit to an enormous crowd and her exiting the plane with Mr. Walz.

https://www.nytimes.com/2024/08/11/us/politics/trump-harris-crowds-ai.html?unlocked_article_code=1.CU4.5kzm.eLOE9YphqLji&smid=url-share

Tom Nichols, a very fine staff writer at The Atlantic, wrote the following for the magazine's website, after Mr. Trump's recent press conference:

"The Republican nominee, the man who could return to office and regain the sole authority to use American nuclear weapons, is a serial liar and can’t tell the difference between reality and fantasy."

Mr. Nichols wrote:  "Donald Trump is not well. He is not stable. There’s something deeply wrong with him."

I am reminded of an August 15, 2015 interview Times columnist Maureen Dowd conducted with Mr. Trump; this was the year before he was elected president.  She asked him about the issue of "insecurity."

Ms. Dowd wrote:

I tell Trump that he has transcended the level of narcissism common in a profession full of narcissists. He is, after all, wearing a red tie with a label by “a wonderful guy named Trump,” as he wryly puts it, with his Brioni suit. In the latest Time, Jeffrey Kluger, the author of “The Narcissist Next Door,” said “people at ease inside their skin just don’t behave the way Trump does.”

I ask if he was always like this, boasting that he had the best baby food and the best high chair?

“Honestly, I don’t think people change that much,” Trump said. “I’m a solid, stable person.” Knocking on the wooden restaurant wall, he added: “I am a man of great achievement. I win, Maureen, I always win. Knock on wood. I win. It’s what I do. I beat people. I win.”

No insecurities?

“I don’t know how you would define insecurity as it pertains to me,” he replies.

Friday, August 9, 2024

More about the S.S. United States

There is a lengthy piece about the ocean liner (which I last wrote about on July 9th), in today's New York Times.

The article features an interview with Susan Gibbs, the President and co-founder of the S.S. United States Conservancy, a group devoted to the ship's preservation, and history.  Her grandfather, William Francis Gibbs, designed the ship.

The Conservancy is trying to find a new home for the ship, following a June court order that it must be removed from its berth on the Philadelphia waterfront by September 12th.

https://www.nytimes.com/2024/08/09/us/ss-united-states-philadelphia.html?unlocked_article_code=1.Bk4.2ojd.iQCPTklv8DHt&smid=url-share

Thursday, August 8, 2024

August 8, 1974 (and March 31, 1968)

Will never forget seeing Richard Nixon's television address, fifty years ago tonight, announcing he was resigning the presidency, and that it would take effect the next day.

It was jaw-dropping, watching the speech.

The video, below, is of the first few minutes of the speech, at the end of which he announced his resignation.  The full address lasted approximately fifteen minutes.

https://www.youtube.com/watch?v=ZEOGJJ7UKFM

While it is not the most significant of matters, it is interesting, today, to see Mr. Nixon holding, and reading from, a script, and then placing each page to the side after it has been read. (I don't know if he might have had the back-up benefit of a teleprompter.)

Six years prior, on March 31, 1968--four days before the assassination of Martin Luther King, Jr.--Lyndon Johnson announced he would be leaving the presidency, at the end of his term.

I remember watching that speech, as well; at the time, I was twelve.

Mr. Johnson's speech, that evening, was some forty minutes long.  During its concluding minutes, seen in the video below, he made his historic announcement.

At just after four minutes from the start of the video, Mr. Johnson said the following:

With America's sons in the fields far away, with America's future under challenge right here at home, with our hopes and the world's hopes for peace in the balance every day, I do not believe that I should devote an hour or a day of my time to any personal partisan causes or to any duties other than the awesome duties of this office — the presidency of your country.

Accordingly, I shall not seek, and I will not accept, the nomination of my party for another term as your president.

https://www.youtube.com/watch?v=2-FibDxpkb0

Monday, August 5, 2024

Transformation

When Kamala Harris announced her candidacy for president, in 2019, she had had, at that point, a brief, but notable tenure (since the start of 2017) as a United States Senator.

Many may recall the sense of command she conveyed, during Senate committee hearings, when she was questioning such figures as Brett Kavanaugh, William Barr, and Jeff Sessions.  

Her background, as a prosecutor in California (District Attorney in San Francisco, and then Attorney General of the state), served her well in the Senate.

It is not news that her presidential campaign, which began and ended in 2019, was not a success.  Senator Harris--up against a wide field of opponents, including Mr. Biden--did not seem, at the time, to have had a sure-enough footing as a candidate. 

Then, Ms. Harris became Vice President--a position which she has filled admirably, and loyally--but it has of course been the fate of so many Vice Presidents, because of the confinements of the role, to  remain, so often (at least publicly) in the background.  

My guess, however, is that her time as Vice President has in fact, for her, been a period of great significance. 

A Vice President can obviously be called upon--at any moment--to assume the presidency, and while it has not happened frequently, in our history, I don't doubt that serving in the role transforms one's thinking.  Perhaps, because of Joe Biden's age, Ms. Harris was forced to think about her role with a greater intensity than is typical for Vice Presidents--that she may have, appropriately, been preparing herself (perhaps, to a large degree, in an emotional sense) for the possibility of having to step into the job.

Yet whatever the cause might be, Vice President Harris has been transformed, in a rather stunning way. 

I watched her Georgia speech on TV last Tuesday, and the transformation could not have been more clear. 

Ms. Harris has become--in a way I believe we have not seen since she became Vice President--a riveting presence.

Actually, I think that evidence of the transformation may in fact have become apparent the night of the Biden/Trump debate in June.

It was Ms. Harris, who, immediately after the debate, went on television, and defended the President.  She responded impressively--with composure, candor, and a forceful loyalty--in the indisputably difficult moment.

Yet the transformation has been most apparent since she replaced President Biden on the Democratic ticket. 

She has, since taking the baton from the President, exhibited a compelling sense of command, confidence, wit, ease, and eloquence; she has conveyed a warm and appealing sense of self.

She has also been pleasingly, witheringly sharp, in her challenges directed at Mr. Trump. 

In short, the Vice President, in the brief time she has been in the presidential race, has not simply appeared to be a strong and worthy candidate.  She has looked and felt, decidedly, like a President.

Watching the Vice President, recently, has reminded me of a brief book I read in 2016.

The book--a Kindle "Vintage Short"--is titled Dallas: November 22, 1963, and is by the acclaimed Lyndon Johnson biographer Robert A. Caro.  The book is made up, simply, of two chapters from the fourth volume of Mr. Caro's work about Mr. Johnson, The Years of Lyndon Johnson: The Passage of Power, published by Alfred A. Knopf in 2012.

https://www.amazon.com/Dallas-November-1963-Vintage-Short-ebook/dp/B00EMXBZMS/ref

Mr. Caro's portrait of Lyndon Johnson, on November 22nd, is superb, and revelatory. 

In Dallas: November 22, 1963, Mr. Caro wrote, for example, of the moment after the first shot was fired at President Kennedy's limousine.  

Secret Service agent Rufus Youngblood, stationed in Mr. Johnson's car in the motorcade, immediately threw himself on top of Mr. Johnson, and then pinned the Vice President down, his face on the floor of the car.

Mr. Caro wrote that Mr. Youngblood told everyone in the back seat of the car (including Lady Bird Johnson) to get down, and told the Vice President he had to remain on the floor of the car.  As Mr. Caro wrote:

"All right, Rufus, " Lyndon Johnson said.  A reporter who later asked Youngblood to describe the tone of Johnson's voice as he said this summarized the agent's answer in a single word: "calm."

After arriving at Parkland Memorial Hospital, Secret Service agents quickly found a room at the hospital for Lyndon and Lady Bird Johnson; the room, part of a larger room at Parkland, was known as the Parkland Minor Medicine section.  The Johnsons were placed in one of three cubicles in the room.

"Someone brought two folding chairs into the cubicle," Mr. Caro wrote.  Mrs. Johnson sat in one of them, but Mr Johnson remained standing.  He would remain standing, his back against the wall of the cubicle, waiting for news about President Kennedy, and Governor John Connally.

Mr. Caro wrote:

"Lyndon and I didn't speak," Lady Bird Johnson says.  "We just looked at each other, exchanging messages with our eyes. We knew what it might be."  Johnson said very little to anyone, moved around very little, just stood there.  Asked to describe him in the hospital, [Texas Congressman Homer] Thornberry uses the same word Youngblood used to describe him in the car: "Very calm. All through the time he was...very calm."

Then Mr. Caro wrote of the moment that the Vice President learned of President Kennedy's death, in the hospital cubicle.  He was told by Kenneth O'Donnell, one of Mr. Kennedy's closest aides.

Wrote Mr. Caro:

“He's gone,” Ken O’Donnell said—“and right then,” Homer Thornberry later said of Johnson, “he took charge.”

Even before O’Donnell came in, as Lyndon Johnson had been standing against the back wall of that curtained cubicle in Parkland Memorial Hospital, there had been something striking in his bearing, something that had first shown itself that day in the tone of his voice as he lay on the floor of a speeding car, with a heavy body on top of him and the frantic voices on the shortwave radio crackling in his ears. Johnson’s aides and allies knew that for all his rages and bellowing, his gloating and groaning, his endless monologues, his demeanor was very different in moments of crisis, in moments when there were decisions—tough decisions, crucial decisions—to be made; that in those moments he became, as his secretary Mary Rather says, “quiet and still.” He had been very quiet during the long minutes he stood there in the cubicle—“very little passed between us,” Homer Thornberry says; no words even to Lady Bird; as he stood in front of that blank wall, the carnation still in his buttonhole, there was a stillness about him, an immobility, a composure that hadn’t been seen very much during the previous three years [as Vice President]. 

Mr. Caro continued:

And the hangdog look was gone, replaced by an expression—the lines on the face no longer drooping but hard—that [Texas Congressman] Jack Brooks describes as “set.” Lyndon Johnson’s oldest aides and allies, the men who had known him longest, knew that expression: the big jaw jutting, the lips above it pulled into a tight, grim line, the corners turned down in a hint of a snarl, the dark brown eyes, under the long black eyebrows, narrowed, hard, piercing. It was an expression of determination and fierce concentration; when Lyndon Johnson wore that expression, a problem was being thought through with an intensity that was almost palpable, a problem was being thought through—and a decision made. That expression, set and hard, was, his long-time aide Horace Busby says, Lyndon Johnson’s “deciding expression,” and that was his expression now. To Lady Bird Johnson, looking up at her husband, his face had become “almost a graven image of a face carved in bronze.”

What was going through Lyndon Johnson’s mind as he stood there history will never know. The only thing that is clear is that if, during those long minutes of waiting, he was making decisions—this man with the instinct to decide, the will to decide—by the time O’Donnell spoke and the waiting was over, the decisions had been made.

In other words: this was not simply about Lyndon Johnson becoming aware of the possibility that he was to become--and followed by the knowledge that he had become--the President of the United States.

It was clearly about Mr. Johnson becoming--in an internal way--transformed. He was becoming, from the time he was thrown to the floor of the Vice Presidential car, to the time he was informed of the president's death, the deliberative and determined man that those close to him knew was always beneath the surface. 

And while the circumstances, today, are entirely different--there has not been the killing of a president, but a president voluntarily dropping out of his re-election race--one makes note of how the Vice Presidents, in Dallas, 1963, and in Washington, DC, 2024, responded.  Lyndon Johnson, then, and Kamala Harris, today (at least as of this writing, in the latter instance), stepped up, and moved ahead--determined, calm, and purposeful.

Saturday, August 3, 2024

Home

How moving it was, watching the three Americans arrive, Thursday night, at Joint Base Andrews in Maryland--coming home, after their cruel detentions in Russian prisons: the Wall Street Journal reporter Evan Gershkovich (arrested in March 2023); Paul Whelan, the former U.S. Marine (jailed since 2018); and Alsu Kurmasheva, the Russian-American journalist (at Radio Free Europe/Radio Liberty, arrested in June 2023).

All told, 16 individuals were released by Russia this week (including one prisoner held in Belarus); those released, in the prisoner exchange, included dissidents associated with the late Alexei Navalny, and other human rights and opposition figures. The thirteen other prisoners released by Russia were taken in by Germany.  

One of course hopes that further prisoner releases, involving Americans still held by Russia, will take place soon. 

One Russian-American citizen still detained by Russia is 33 year-old Ksenia Karelina of California. She was in Russia in February, visiting family members, and was arrested after making a donation--just over $50--to a charity based in New York providing aid to Ukraine. She has been charged with treason. 

American Marc Fogel, 63, has lived in Russia since 2012, teaching at the Anglo-American School of Moscow.  He was arrested in 2021 at a Russian airport for possessing a small amount of medical marijuana, which had been prescribed in the United States.  In 2022, he was sentenced to fourteen years in prison.

(This piece was edited, not long after its posting.)