Tuesday, February 24, 2026

"Treason"

Words, and their meaning, matter little to President Trump.

For example, he likes to throw around words like "treason," and "sedition."

In November, he attacked six Democratic lawmakers for a video they posted, in which they reminded members of the military that illegal orders should not be followed.  

Trump wrote, on social media, that the comments by the six lawmakers constituted "SEDITIOUS BEHAVIOR, punishable by DEATH!"

Over time, he has claimed that many others have committed treason--including Barack Obama, Nancy Pelosi, Mark Milley, and the members of the January 6th congressional committee.

Tonight he will be giving his State of the Union address.

The week after his 2018 State of the Union address, he delivered a speech in Ohio, during which he attacked Democrats for their lack of a response, during the State of the Union speech.

As The Washington Post reported, at the time:

BLUE ASH, Ohio — President Trump on Monday lambasted Democrats who did not applaud as he relayed positive numbers about black and Hispanic unemployment during his State of the Union address, accusing them of being "un-American" and "treasonous."

"Even on positive news like that, really positive news like that, they were like death and un-American," Trump said here as he went off script during a speech on tax cuts. "Somebody said 'treasonous.' I mean, yeah, I guess, why not? Shall we call that treason? Why not? I mean, they certainly didn't seem to love our country very much."

Friday, February 20, 2026

A TV commercial

There is a commercial, currently airing on TV, whose music features a song heard in early television.

The commercial, I will note, is related to a brief part of my book about early TV.

The new commercial, for Chevrolet, had its debut on NBC the night of the opening ceremonies of the Winter Olympics, and it has been airing since.

The song in the commercial is "See the U.S.A. in Your Chevrolet," and is sung by country music performer Brooke Lee.  Ms. Lee, playing a guitar, is seated at the back of a 2026 Chevrolet Silverado pickup truck; she and the truck are positioned at the top of the landmark 400-foot-tall Castle Rock formation, in Utah.

I frankly can't imagine what it was like to produce a commercial at such a height, and in such a relatively small space (the formation's summit, I have read, is approximately thirty by forty feet). Ms. Lee, the crew for the commercial, and the Silverado, were airlifted by helicopter to the site.

Chevrolet, incidentally, had used the Castle Rock location previously, for Chevrolet Impala commercials and print advertisements--in the 1960s, and in the 1970s.

Here is the new commercial: 

https://www.youtube.com/watch?v=g-6nRs4BqXQ

In a behind-the scenes video of the making of the commercial (seen here), one can see the crew in front of Ms. Lee; the images of the crew were edited out of the commercial. In addition, other instrumentation, and vocal harmonies, were obviously included after-the-fact.

The commercial's lyrics begin:

See the U.S.A. in your Chevrolet,

America is asking you to call.

Drive your Chevrolet through the U.S.A.,

America's the greatest land of all.

Many people familiar with early TV will recall that the commercial jingle was made famous by singer Dinah Shore, whose TV program, The Dinah Shore Show, was seen on NBC from 1951 until 1957; it was a fifteen-minute show, airing on Tuesday and Thursday evenings. Ms. Shore became closely associated with the song, which she sang at the end of her telecasts. At the song's conclusion, Ms. Shore--in what became well-known as her visual signature--would blow a kiss to the TV audience. 

In 1957, she also began making monthly appearances on the hour-long The Dinah Shore Chevy Show, also on NBC. In 1957, after her original program ended, her Chevy program became a weekly show, and it aired until 1963.

Here is a video of Ms. Shore singing the Chevrolet theme song, from the 1950s:

https://www.youtube.com/watch?v=qhR8GZ_WWMM

I've recently seen various references, online, to the Chevrolet jingle, in which Ms. Shore is, quite properly, given credit for making it famous--yet some of the references also indicate that the jingle first appeared on her NBC program. It actually did not.

As noted by Wikipedia, the song, with lyrics and music by Leo Corday and Leon Carr, had been (two years prior to the 1951 debut of Ms. Shore's program) the commercial theme of the CBS-TV music, variety, and comedy revue Inside U.S.A. with Chevrolet; the program aired every other week from September, 1949 until March, 1950. The show starred Peter Lind Hayes; its co-star was Mary Healy. Mr. Hayes and Ms. Healy, husband and wife, would star together on other network programs over time.  The show also featured dancer Sheila Bond, actress Mary Wickes, dancer Danny Daniels, and the Ray Charles Singers, the vocal group which accompanied the program's stars (and guest stars) in production numbers. Mr. Charles's singers were also featured in the show's "See the U.S.A." Chevrolet commercials.

My mother, who earlier in 1949 had appeared on two DuMont Network shows, was one of Inside U.S.A's Ray Charles Singers, from the program's debut in late September until November, when she left the show to become one of the vocalists on bandleader Kay Kyser's new program on NBC. (Later, in 1951 and 1952, when she was a featured singer on NBC's Your Hit Parade, she would work again with Ray Charles. Beginning in 1950, he was the Hit Parade's vocal arranger, writing the arrangements for both the show's starring vocalists, and for its choral group, the Hit Paraders (which was, in essence, a Ray Charles ensemble, under a different name; he hired the singers who made up the Hit Paraders, and arranged and oversaw the group's vocal performances.  He remained with Your Hit Parade for much of the 1950s).

I have a number of pieces of sheet music, from my mother's TV career in New York.  One of them is from Inside U.S.A., and is of the show's Chevrolet jingle.

Though my parents had married in August of 1949 (the month before she joined Inside U.S.A.), she continued to use her maiden name, Sue Benjamin--which is written at the top of the sheet music, below--as her stage name.  She would change her surname to Bennett upon joining the cast of Kay Kyser's program, which had its debut the first week of December, 1949.  Mr. Kyser asked her to come up with a new name; he evidently thought that Benjamin did not have enough of a show business flair to it. She chose the surname Bennett (which was, as it happens, the first name of her father-in-law).

Here is the first page of her "See the U.S.A." sheet music, from Inside U.S.A.:

 





 

 


 

 

 

 

 

("See the U.S.A. in Your Chevrolet," lyrics and music by Leo Corday and Leon Carr, © General Motors Company)

Thursday, February 5, 2026

A gift

Someone sent me a great gift this week, by mail--a DVD of a 1950s television program I love (The Honeymooners).  It came from an amazon fulfillment center--which means, as far as I know, that the seller was a third-party vendor, but that amazon handled the storage, processing and shipment of the order.

There was, however, one problem with the shipment.  There was no indication, inside the package, as to who gave me the gift.

I called amazon, to find out who the person was--but was told that, due to privacy rules, the company couldn't give me that information. They did say that the person who sent it did not include a note; perhaps this person thought that a receipt, with his/her name, would accompany the DVD.

So, if the very kind (but unknown) sender happens to be reading this, thank you!

Friday, January 30, 2026

A video analysis of the death of Alex Pretti

The report, which was broadcast yesterday by CNN, is very saddening and difficult to watch.  Yet its analysis--which makes use of the various videos concerning the killing of Mr. Pretti--is, I think, significant, in the tragic details and sense of clarity it offers. 

https://www.cnn.com/2026/01/29/politics/video/immigration-agents-shooting-alex-pretti-vid-invs

Monday, January 26, 2026

Alex Pretti

The mind reels, about what has taken place in Minneapolis. 

It is sickening, and tragic, the killing of Alex Pretti on Saturday--the needless and brutal aggression by the Border Patrol agents, leading, within some thirty seconds, to the first shot being fired at Mr. Pretti.  Nine more shots would follow.

The images of Renee Good, and Mr. Pretti, in their last moments, are deeply painful to see--along with so many other disturbing and hideous images of the tactics of federal agents in Minneapolis (and elsewhere).

And there was, indeed, the shameful rush by Trump officials to place the blame on Mr. Pretti (as took place following Renee Good's January 7th death, in labeling her a "domestic terrorist"): self-serving claims about Mr. Pretti, which were quickly called into question by various videos--claims that Mr. Pretti "attacked" the federal agents, and that he was "brandishing" a gun (Kristi Noem); that he was (without evidence put forth) "An assassin [who] tried to murder federal agents" (Stephen Miller); that "it looks like" he "wanted to do maximum damage and massacre law enforcement" (Border Patrol commander Gregory Bovino).  

On Saturday, Minnesota Governor Tim Walz said: "The federal government cannot be trusted to handle this investigation.  The state will handle it, period."

Secretary Noem said: "Who would trust Governor Walz at this point? The man has stood up and encouraged resistance.  He has refused to partner with us. He's sacrificed his citizens' safety and their well-being."

I would trust Governor Walz any day, over Ms. Noem, and her fellow officials in the Trump administration.

The Trump administration's legal response to the shooting of Ms. Good was despicable--shutting Minnesota out of any investigation, and declaring there was no need to look further into her killing. 

On January 20th, The Minnesota Star Tribune's Editorial Board wrote, in part, of Renee Good's death:

The U.S. Department of Justice says it has no interest in investigating Renee Good’s death by an ICE agent. Federal officials have already labeled the killing a defensive act and moved on. But if that conclusion is sound, it should withstand scrutiny beyond the walls of Washington.

What is unfolding in Minnesota is not merely a transparency dispute. It’s a breakdown in due process at a moment of intense national scrutiny. When federal authorities barred state investigators from reviewing evidence in a fatal shooting on a south Minneapolis street, they did more than limit access. They denied the public a credible and independent accounting of the federal killing of an American citizen.

The Trump Justice Department should reverse course, and allow Minnesota full access to the evidence concerning Renee Good's deathThey should do the same with evidence regarding the killing of Alex Pretti.

Monday, January 19, 2026

Martin Luther King, Jr.

I have often thought about Martin Luther King's age--that he was only thirty-nine years old when he was assassinated in 1968.

In his relatively short life--a life of immense courage, and vision--he had changed the world. 

Today, his birthday was commemorated in the U.S.   

Had he lived he would, on January 15th, have turned ninety-seven years old.

He gave his last speech the night of April 3, 1968.  He would be shot the next day, while standing on an outside balcony at the Lorraine Motel in Memphis, near the room in which he was staying.

During his speech, the night before, he spoke about the subject of age, of longevity.  He had faced the possibility of death, of assassination, for years. I have watched the concluding part of the April 3rd speech many times, in recent decades.  Its suggestion of possible mortality--his mortality--remains haunting.

He said, at the end of the speech:

Well I don't know what will happen now. We've got some difficult days ahead. But it really doesn't matter with me now, because I've been to the mountaintop.

And I don't mind. Like anybody, I would like to live a long life. Longevity has its place. But I'm not concerned about that now. I just want to do God's will. And He's allowed me to go up to the mountain. And I've looked over. And I've seen the Promised Land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the Promised Land! 

So I'm happy tonight. I'm not worried about anything, I'm not fearing any man!  Mine eyes have seen the glory of the coming of the Lord! 

https://www.youtube.com/watch?v=QcJWWBIro00

Thursday, January 15, 2026

The fears, and the threats

To add to the ongoing fear, and the trauma, experienced by residents of Minneapolis (and beyond), particularly following the terrible killing of Renee Good, President Trump is threatening to invoke the Insurrection Act, in order that he can send the military into Minneapolis, to police the city.

He certainly loves making threats.  The threats are endless--day after day, month after month. His is a presidency governed by threats.

He wrote on his social media platform on Thursday that he wanted to "stop the professional agitators and insurrectionists from attacking the Patriots of I.C.E..."

The insurrectionists.

I got an email on Thursday from The Lincoln Project, the anti-Trump, pro-democracy organization.

The title of the email was: "The insurrectionist wants to use the Insurrection Act."